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The length or intensity of the echo effect was adjusted by changing the amount of echo signal was fed back into the pre-echo signal. The time between echo repeats was adjusted by varying the tape speed. Another example is the Roland Space Echo with a record and multiple playback tape heads and a variable tape speed. The length of delay was adjusted by changing the distance between the tape record and playback heads. One example is the Echoplex which used a tape loop. An echo machine is the early name for a sound processing device used with electronic instruments to repeat the sound and produce a simulated echo. Tape echoes became commercially available in the 1950s. The tape mechanism of a Roland RE-201 delay unit According to Sound on Sound, "The character and depth of sound that was produced from tape echo on these old records is extremely lush, warm and wide." Guitarist and instrument designer Les Paul was an early pioneer in delay devices. The effect was used by artists including Elvis Presley (such as on his track " Blue Moon of Kentucky") and Buddy Holly, and became one of Phillips' signatures. In the late 1940s and early 1950s, several sound engineers began making devices for use in recording studios and later more compact machines for live purposes.Īmerican producer Sam Phillips discovered the effect while experimenting with two Ampex 350 tape recorders in 1954. Īudio engineers working in popular music quickly adapted similar techniques to augment their use of reverb and other studio technologies designed to simulate natural echo. This technique was most common among early composers of Musique concrète such as Pierre Schaeffer, and composers such as Karlheinz Stockhausen, who had sometimes devised elaborate systems involving long tapes and multiple recorders and playback systems, collectively processing the input of a live performer or ensemble.
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By shortening or lengthening the loop of tape and adjusting the read-and-write heads, the nature of the delayed echo could be controlled. The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems.